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BRILLOUIN ENERGY

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NEROSHIELD

NOISECASTLE III

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WALTER AFANASIEFF

ZONE MOTION

NOISECASTLE III
Music

Noisecastle III is a modern music production house, creative audio studio, and entertainment platform built around the exclusive entertainment rights and production catalog of multi platinum producer, songwriter, and audio innovator Scott Bruzenak. Operating at the intersection of commercial pop music, cinematic production, experimental sound design, and next generation artist development, Noisecastle III has established itself as a highly differentiated creative force within the global music industry. The company combines elite songwriting, high level production capabilities, chart proven commercial success, and cross genre creative versatility into a platform that spans mainstream pop, R&B, electronic music, film audio, television music production, K-pop, and emerging artist development.

At the center of Noisecastle III is Scott Bruzenak, a multi platinum producer and songwriter whose work has collectively generated more than 1.5 billion global streams and multiple platinum certified records across major international markets. Bruzenak has built a reputation as one of the industry’s most versatile and forward thinking producers, blending commercial pop sensibility with sophisticated sonic experimentation and emotionally driven songwriting. His work spans collaborations with globally recognized artists, major record labels, award winning producers, and internationally successful entertainment franchises.

One of the defining highlights of Scott Bruzenak’s career and the Noisecastle III platform is his work with multi platinum recording artist Daya. Bruzenak produced and co wrote Daya’s breakthrough global hit “Hide Away,” which became one of the defining pop singles of its era. The song achieved double platinum certification, reached the Billboard Hot 100 Top 25, became an international commercial success, and helped launch Daya into mainstream global recognition. “Hide Away” generated massive radio airplay, streaming traction, and international chart success while establishing Bruzenak as a major emerging producer within commercial pop music.

Bruzenak also produced and co wrote Daya’s follow up smash hit “Sit Still, Look Pretty,” another double platinum single that became a defining anthem of female empowerment and youth pop culture. The song charted on the Billboard Hot 100, accumulated hundreds of millions of streams globally, and became the title track of Daya’s debut album “Sit Still, Look Pretty,” which achieved RIAA Gold certification. Scott Bruzenak ultimately produced the majority of the album, including 9 of the project’s 14 tracks, helping shape one of the most commercially successful debut pop albums of its generation.

Beyond Daya, Noisecastle III has developed an extensive creative portfolio spanning multiple genres and international markets. Scott Bruzenak has worked with artists including JoJo, Dawn Richard, Liz from Diplo’s Los Angeles based Mad Decent label, Macy Gray, Lindsey Stirling, Amy Lee of Evanescence, Carlie Hanson, Mako, Catie Turner, MiSaMo, NiziU, and numerous emerging global artists across the pop, R&B, electronic, and K-pop ecosystems. His work has reached audiences across North America, Europe, and Asia while contributing to commercially successful and critically acclaimed projects across multiple entertainment verticals.

One of Bruzenak’s most respected creative achievements came through his extensive work with singer songwriter and former Danity Kane member Dawn Richard on the groundbreaking album “Blackheart.” Bruzenak served as the primary co producer on the project, helping create a sonically experimental and critically acclaimed body of work that received major praise from influential music publications including Pitchfork and Fact Magazine. The album was recognized among the best albums of the year by leading music critics and helped establish Bruzenak’s reputation as a producer capable of blending commercial songwriting with highly innovative sound design and genre pushing production aesthetics.

Noisecastle III also reflects Scott Bruzenak’s deep integration within the upper tiers of the music industry’s creative network. Throughout his career, Bruzenak has collaborated alongside some of the most successful and influential producers and songwriters in modern music history, including Babyface, Rodney Jerkins, Walter Afanasieff, and Rob Cavallo. These collaborations place Noisecastle III within a legacy lineage connected to Grammy Award winning production, global hit records, and some of the most commercially successful music catalogs ever created.

Internationally, Noisecastle III has expanded into the rapidly growing Asian music market, particularly within Japanese and Korean pop music. Bruzenak produced “ASOBO” for Japanese supergroup NiziU, which became a number one Japanese hit, and contributed production work to MiSaMo’s “Funny Valentine,” part of the chart topping Japanese album “Masterpiece.” These projects further demonstrate Noisecastle III’s ability to create globally relevant commercial music across diverse cultural and language markets while participating in one of the fastest growing sectors of the global entertainment industry.

In addition to mainstream artist production, Noisecastle III has expanded into television, cinematic sound design, and multimedia entertainment production. Scott Bruzenak wrote and produced the theme song for the reboot of “Name That Tune” and has worked as a sound designer and mixer on more than a dozen feature films. This diversification across film, television, streaming, and multimedia entertainment significantly broadens the company’s commercial reach beyond traditional artist production and positions Noisecastle III as a multidimensional entertainment content platform.

Creatively, Noisecastle III distinguishes itself through a philosophy that blends cutting edge sound experimentation with emotionally resonant commercial songwriting. The company operates more like a modern creative laboratory than a traditional production company, combining advanced audio engineering, analog and modular synthesis, cinematic production techniques, and contemporary pop songwriting into a highly adaptable production ecosystem. This ability to move fluidly between commercial mainstream music and forward looking sonic experimentation has become one of the defining characteristics of the Noisecastle III brand.

From an industry perspective, Noisecastle III represents a highly scalable intellectual property and creative production platform operating within the global music, streaming, publishing, and entertainment sectors. Its combination of platinum certified commercial success, global streaming reach, elite industry relationships, international production capabilities, and proven chart performance positions the company as a differentiated creative asset within the modern entertainment landscape. As the music industry continues evolving toward streaming driven consumption, global artist development, cross platform content creation, and independent creator led production ecosystems, Noisecastle III is strategically positioned as a next generation entertainment production platform with significant long term creative and commercial potential.

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